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Telling a story from a nonhuman point of view

Not every mind is human, and that’s a challenge for science fiction authors. It’s hard enough to write from a different human point of view: We’re a varied species, each one of us with our own experiences and quirks, but at least we can talk to each other. Non-humans … well, they never have long conversations with us, alas.

Yet, if we’re going to write science fiction, we can’t let that stop us. For my novel Semiosis, I needed to write from the point of view of a plant — an alien plant, of course, not an Earthly one. All right, where to start?

Obviously, we know some things about Earth plants, so I began researching them. What is their experience of life? For one thing, they’re under a lot of stress. Growing seasons are short, and weather is uncertain.

Spring ephemerals, such as trilliums and snowdrops, illustrate this anxiety. They grow and flower as early as possible in spring, sometimes right through snow, dangerous though that must be. They catch the sunlight before trees put out leaves and cast shade. They offer nectar to the first bees that wake up after winter, monopolizing their attention. Then these plants go dormant until next spring: That’s the extreme step they must take to get their day in the sun. They leap upward at the first hint of springtime.

Plants compete for sunlight and actively fight over it. A common houseplant called the asparagus fern (Asparagus setaceus) has pretty, lacy leaves – and thorns it can anchor into other plants and climb over them. Its aggression has earned it the status of noxious weed in some parts of Australia. Roses have thorns for the same reason. If they happen to starve other plants by blocking out the sunshine, that’s just survival of the fittest.

Vines climb up trees to get sunshine without the cost of growing a sturdy trunk. Other plants may grow large leaves quickly to cast shadows on their neighbors, or poison the ground to keep out competition.

So, plants lead lives of quiet desperation — in constant combat and relying on an arsenal of weapons.

The book What a Plant Knows: A Field Guide to the Senses by Daniel Chamovitz documents what his fellow botanists have long known. A plant can see, smell, feel, hear, know where it is, and remember. “Plants are acutely aware of the world around them,” he writes.

Trees, like us humans, have social lives. InThe Hidden Life of Trees: What They Feel, How They Communicate, German forester Peter Wohlleben describes how trees of the same species in forests create communities that help each other, enjoying much longer, healthier lives than isolated city trees. Trees also make decisions, such as when to drop their leaves, which can be a life-or-death gamble on the coming weather.

Plants are alert to their surroundings, and they can recall the past and plan for the future. They’re gregarious, and being isolated hurts them.

As we would expect from highly aware, social creatures, they relate to other species including animals. They grow flowers to attract pollinators, they grow fruit to encourage animals to spread their seeds, and they enter into symbiotic relationships with animals to further their needs. If nutrients are especially scarce, plants turn carnivorous. (The leaves depicted on the cover of Semiosis and the plant in the photo are sundews. The drops are glue to catch insects.)

Through photosynthesis, plants create their own energy. We can’t know how that feels, although we can observe how sap courses up and down stems and through leaves, and how carefully plants arrange their leaves to capture light efficiently. Plants that store food for winter know how much food they have because they stop and shed their leaves when they think they have enough: They have body awareness.

Plants differ from us in one essential way: They have no set body type. Humans have two arms, two legs, and a standard-sized brain. A tree has as many branches and roots as it can support. A single tree can be huge, spreading out from its roots to create its own grove, and some can live for centuries, even millennia.

A possible personality for a plant has begun to emerge: anxious, active, aggressive, alert to its surroundings, impatient, reflective, and forward-looking, physically singular, self-aware, long-lived, manipulative of animals, and painfully lonely if it has no companions of its own species. Add intelligence and we have a point of view:

“Growth cells divide and extend, fill with sap, and mature, thus another leaf opens. Hundreds today, young leaves, tender in the Sun. With the burn of light comes glucose to create starch, cellulose, lipids, proteins, anything I want. Any quantity I need. In joy I grow leaves, branches, culms, stems, shoots, and roots of all types. … Intelligence wastes itself on animals and their trammeled, repetitive lives. They mature, reproduce, and die faster than pines, each animal equivalent to its forebearer, never smarter, never different, always reprising their ancestors, never unique.”

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Books on sale!

If you or someone you know and love hasn’t read the novel Semiosis yet, the ebook will be on sale throughout the month of September for only $2.99 for Kindle. This promotion will include an excerpt from the third book in the Semiosis trilogy, Usurpation, which will be released on October 29.

Besides that, from September 4 to 6, Barnes & Noble is dropping the preorder price for Usurpation, as well as other preorders. B&N Members get 25% off, and Premium members get an additional 10% off. This is good for print, ebook, and audiobook editions.

Meanwhile, I’ll be at Chicago’s Printers Row Lit Fest on Saturday morning, September 7, at the Speculative Literature Foundation table. Come say hi!

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If there was grass…

This is an excerpt from Chapter 1 of Semiosis. Octavo, the botanist, explains what plants tell us about the overall ecology:

But the presence of the wheat worried me. The wheat was a lot like Earth grass, and if there was grass, then there were grazers, maybe animals like gazelle, moose, or elephant. And if there were grazers, then something hunted them. So far we had seen only small browsers and predators like little land crabs with trilateral symmetry, but we had found bits of big crab shells — and of big stone-shelled land corals with stinging tentacles. None of us went barefoot anywhere.”

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Daniel Thomas May and Caitlin Davies are back!

Usurpation will have an audiobook, and Daniel Thomas May and Caitlin Davies will be narrating it. They narrated the first two novels in the trilogy, Semiosis and Interference — and they did a fabulous job! I’m delighted to have them back.

The audiobook is now in production, and the novel Usurpation will be released as hardcover, ebook, and audiobook on October 29.

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I’ll be at bookstores in Madrid on Friday and Saturday

If you happen to be in Madrid, Spain, this week, so am I!

If you speak Spanish, come to Estudio Escarlata at 7 p.m. Friday, July 26, at calle Andrés Mellado 52. As you may know, Semiosis is now available in Spanish — with a wonderful translation by Rafael Marín.

If you prefer English, come to the Secret Kingdoms bookstore at 8 p.m. Saturday, July 27, at calle Moratín 7. I’ll be talking about my books, naturally — followed by drinks and snacks.

As you may know, I lived in Madrid from 2000 to 2016. I’m excited to be back among friends in the city I love!

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An excerpt from ‘Usurpation’

Here’s an excerpt from the novel Usurpation, which will be published in October in hardback, ebook, and audiobook (in preparation). You can preorder your copy now.

CHAPTER 3 – Year 2885 CE – Pax Institute, Bayonne, France – LEVANTER

She has arrived, the new director of the Pax Institute, and I will be destroyed. She confirms her credentials with the building and walks through the front door.

She is going to take my place. She will find out that I, Levanter, am not a human being. Foolishly, I used my real name to declare myself director, the name Mirlo gave me three centuries ago. He planted seeds he brought from the planet Pax, and I and my two sisters now grow here at the institute’s garden. My name is in the record’s big clumsy library in too many places to erase before she accesses the system. It is even on a sign in the garden in front of my main stalks. She will discover that Levanter is a rainbow bamboo.

No one knows we are intelligent. No one can know. Bamboo grow all over the Earth, and humans would kill us all if they knew. Not all humans are killers, but some are, and they have proven themselves efficient.

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“When Star-Stuff Tells Stories” – now on sale

“If and when aliens make first contact, who should answer? Maybe humankind should turn to people like me, translators of science fiction. We’ve already thought through this kind of problem.”

That’s the opening sentences of my essay When Star-Stuff Tells Stories: Translating science fiction as a metaphor of technology and wonder. Calque Press has just published a limited edition of it as a 24-page pamphlet, and you can learn more and buy it here.

It’s one of a series of essays and other short works published by Calque. They’re meant to provide an opportunity for writers to think aloud about their own experiences and knowledge — and they are beautifully printed on high-quality paper. The publisher is fussy about the look and feel.

Here’s Calque’s description of When Star-Stuff Tells Stories:

Starting from the very earliest forms of human communication, the ways in which language developed into languages, and created the role of the translator, Sue Burke offers an invaluable guide to the importance and difficulties of translation on Earth, and gives us fascinating speculation about what might happen if we ever do come into contact with extraterrestrial intelligence. This pamphlet addresses questions of what communication is, and how the translator is uniquely positioned to work at escaping the bounds of the medium and bringing pure meaning into an intelligible form.

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Pax website update

For technical reasons related to my webhosting service, I’ve had to update the website for the Semiosis trilogy, https://semiosispax.com. I tried to keep it mostly the same.

But I’ve been able to add something new. It’s a menu of “Stories and Articles” that contains short stories related to the novels Semiosis, Interference, and Usurpation, background information, bits cut from the novels, and inspirations for the series. I hope you enjoy them!

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I talk about writing, aliens, and AI on the Worth a Read podcast

On the Worth a Read podcast, Sasha Portelli and I discuss the horror and wonders of plants, my thoughts about AIs (there’s an AI in my novel Dual Memory, and it’s a lot more fun than any of today’s chatbots) and the path to getting the novel Semiosisinto print, which was long and twisting.

You can listen to it here:

P.S. In case you like listening to things, do you know that all my novels are available as audiobooks, read for you by amazingly talented narrators?

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Religion as worldbuilding: ‘Water is life’

I’ll be on the online panel “Religion as Worldbuilding” at the Nebula Conference on Friday, June 7, at 3 p.m. PDT.

Since you probably won’t be attending, here’s a little religious worldbuilding for you instead, a section that was cut from the novel Semiosis. It’s about what the rainbow bamboo Stevland believes: Water is life.

***

Human meteorologists tell me rain comes as the result of vast movements in the air that bring warmer or cooler, and wetter or drier air masses from here to there, and the heat from sunshine powers these movements. But the meteorologists are Sun worshipers, and thus they will see the Sun as the causative factor behind everything. The same humans assure me that planets without water are dead, though the Sun shines on them. They do not make the obvious conclusion: Water is life.

I inherited a root that identifies a god of water, a vast animal that lives in the oceans and whose minions are other animals, in particular large intelligent ones, clearly a superstition by its irrationality and ignorance, and the elaborate stories in the root concerning the water god and its minions obscure the facts about water and animals. The stories allege that god sends water to help its animals and that the animals can petition for rain, so I must win the favor of the animals and keep them near. Even unsophisticated plants hold large, intelligent animals in a certain appreciation that points toward awe.

It is true that in times of drought, many animals die, go dormant, or leave; animals, especially large intelligent ones, make up a minute part of the biomass of life and their presence is an indicator of water, but not as a causative agent. Animals irrigate their favored plants, so animals do control water to an extent, yet the idea that currying favor with those animals brings the blessing of water is true only in its most mundane sense. Human meteorologists can predict rain, and with that information, they and we intelligent plants can make plans accordingly.

But water moves as it will, a god of total power that feeds on the Sun’s energy just as we plants do, a god that permeates all life but whose life differs from mine the way that a fire differs from the Sun. I must accept its acts, whether helpful or harmful, always impersonal, and I must cope as rationality gives me the tools.

Water may not have sent the human animals, but water has allowed me to grow and understand their role. The belief that animals were divine agents did not prevent us bamboo from slaughtering them in the past; in fact, it may have been encouragement, because to kill an enemy’s minions is to harm the enemy and help oneself, even if the deaths occur so far away that their bodies’ iron cannot be savored. Being divine may be a curse. Humans are mundane, fortunately, yet they are valued not only by me but by other plants.