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I’ll be at bookstores in Madrid on Friday and Saturday

If you happen to be in Madrid, Spain, this week, so am I!

If you speak Spanish, come to Estudio Escarlata at 7 p.m. Friday, July 26, at calle Andrés Mellado 52. As you may know, Semiosis is now available in Spanish — with a wonderful translation by Rafael Marín.

If you prefer English, come to the Secret Kingdoms bookstore at 8 p.m. Saturday, July 27, at calle Moratín 7. I’ll be talking about my books, naturally — followed by drinks and snacks.

As you may know, I lived in Madrid from 2000 to 2016. I’m excited to be back among friends in the city I love!

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An excerpt from ‘Usurpation’

Here’s an excerpt from the novel Usurpation, which will be published in October in hardback, ebook, and audiobook (in preparation). You can preorder your copy now.

CHAPTER 3 – Year 2885 CE – Pax Institute, Bayonne, France – LEVANTER

She has arrived, the new director of the Pax Institute, and I will be destroyed. She confirms her credentials with the building and walks through the front door.

She is going to take my place. She will find out that I, Levanter, am not a human being. Foolishly, I used my real name to declare myself director, the name Mirlo gave me three centuries ago. He planted seeds he brought from the planet Pax, and I and my two sisters now grow here at the institute’s garden. My name is in the record’s big clumsy library in too many places to erase before she accesses the system. It is even on a sign in the garden in front of my main stalks. She will discover that Levanter is a rainbow bamboo.

No one knows we are intelligent. No one can know. Bamboo grow all over the Earth, and humans would kill us all if they knew. Not all humans are killers, but some are, and they have proven themselves efficient.

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“When Star-Stuff Tells Stories” – now on sale

“If and when aliens make first contact, who should answer? Maybe humankind should turn to people like me, translators of science fiction. We’ve already thought through this kind of problem.”

That’s the opening sentences of my essay When Star-Stuff Tells Stories: Translating science fiction as a metaphor of technology and wonder. Calque Press has just published a limited edition of it as a 24-page pamphlet, and you can learn more and buy it here.

It’s one of a series of essays and other short works published by Calque. They’re meant to provide an opportunity for writers to think aloud about their own experiences and knowledge — and they are beautifully printed on high-quality paper. The publisher is fussy about the look and feel.

Here’s Calque’s description of When Star-Stuff Tells Stories:

Starting from the very earliest forms of human communication, the ways in which language developed into languages, and created the role of the translator, Sue Burke offers an invaluable guide to the importance and difficulties of translation on Earth, and gives us fascinating speculation about what might happen if we ever do come into contact with extraterrestrial intelligence. This pamphlet addresses questions of what communication is, and how the translator is uniquely positioned to work at escaping the bounds of the medium and bringing pure meaning into an intelligible form.

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Pax website update

For technical reasons related to my webhosting service, I’ve had to update the website for the Semiosis trilogy, https://semiosispax.com. I tried to keep it mostly the same.

But I’ve been able to add something new. It’s a menu of “Stories and Articles” that contains short stories related to the novels Semiosis, Interference, and Usurpation, background information, bits cut from the novels, and inspirations for the series. I hope you enjoy them!

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I talk about writing, aliens, and AI on the Worth a Read podcast

On the Worth a Read podcast, Sasha Portelli and I discuss the horror and wonders of plants, my thoughts about AIs (there’s an AI in my novel Dual Memory, and it’s a lot more fun than any of today’s chatbots) and the path to getting the novel Semiosisinto print, which was long and twisting.

You can listen to it here:

P.S. In case you like listening to things, do you know that all my novels are available as audiobooks, read for you by amazingly talented narrators?

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Religion as worldbuilding: ‘Water is life’

I’ll be on the online panel “Religion as Worldbuilding” at the Nebula Conference on Friday, June 7, at 3 p.m. PDT.

Since you probably won’t be attending, here’s a little religious worldbuilding for you instead, a section that was cut from the novel Semiosis. It’s about what the rainbow bamboo Stevland believes: Water is life.

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Human meteorologists tell me rain comes as the result of vast movements in the air that bring warmer or cooler, and wetter or drier air masses from here to there, and the heat from sunshine powers these movements. But the meteorologists are Sun worshipers, and thus they will see the Sun as the causative factor behind everything. The same humans assure me that planets without water are dead, though the Sun shines on them. They do not make the obvious conclusion: Water is life.

I inherited a root that identifies a god of water, a vast animal that lives in the oceans and whose minions are other animals, in particular large intelligent ones, clearly a superstition by its irrationality and ignorance, and the elaborate stories in the root concerning the water god and its minions obscure the facts about water and animals. The stories allege that god sends water to help its animals and that the animals can petition for rain, so I must win the favor of the animals and keep them near. Even unsophisticated plants hold large, intelligent animals in a certain appreciation that points toward awe.

It is true that in times of drought, many animals die, go dormant, or leave; animals, especially large intelligent ones, make up a minute part of the biomass of life and their presence is an indicator of water, but not as a causative agent. Animals irrigate their favored plants, so animals do control water to an extent, yet the idea that currying favor with those animals brings the blessing of water is true only in its most mundane sense. Human meteorologists can predict rain, and with that information, they and we intelligent plants can make plans accordingly.

But water moves as it will, a god of total power that feeds on the Sun’s energy just as we plants do, a god that permeates all life but whose life differs from mine the way that a fire differs from the Sun. I must accept its acts, whether helpful or harmful, always impersonal, and I must cope as rationality gives me the tools.

Water may not have sent the human animals, but water has allowed me to grow and understand their role. The belief that animals were divine agents did not prevent us bamboo from slaughtering them in the past; in fact, it may have been encouragement, because to kill an enemy’s minions is to harm the enemy and help oneself, even if the deaths occur so far away that their bodies’ iron cannot be savored. Being divine may be a curse. Humans are mundane, fortunately, yet they are valued not only by me but by other plants.

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My Goodreads review of ‘Alien Clay’

Alien Clay by Adrian Tchaikovsky

My rating: 5 of 5 stars


Because this novel won’t be available in the United States until September, a fan of Adrian Tchaikovsky in Britain sent me a copy of the book, knowing that I’m a fan, too.

In Alien Clay, Tchaikovsky creates a world so hostile and hungry that no one wants to explore it. Instead, Earth sends convicts to work as forced prison labor, including Arton Daghdev, a scientist who has no use for orthodoxy. At some point, a life-form on the planet had created buildings and writing. Where did those intelligent beings go?

The story moves fast and in a direction that allows for exploration of the philosophy of life and life forms, which Tchaikovsky does especially well. Answers emerge as to what kind of life could thrive in the planet’s continual chaos, and what that kind of life will do to humans if it gets the chance. In the last two pages, the book takes a turn that is logical, reasonable, and very creepy.

Thank you to the mutual fan who sent this! I enjoyed it immensely and now find myself asking a lot of “what if” questions: What if this kind of biology worked with the life-forms I encounter here on Earth?



View all my reviews

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‘Semiosis’ now on sale in Spain!

My novel Semiosis is now on sale in Spain, published by Dolmen Editorial. This is exciting because I used to live in Spain and still have a lot of friends there.

I’m also excited because the translator is Rafael Marín. He’s an award-winning speculative fiction writer, and he was key to the genre’s revival in Spain with his 1984 novel Lágrimas de Luz. I think his prose skills are among the most masterful in the genre, and I can’t wait to see his rendering of my words. I’m sure I’ll sound amazing.

Better yet, I’m going to Spain this summer! I’ll be at the Celsius 232 (Fahrenheit 451) festival of science fiction, fantasy, and horror in Avilés, July 16 to 20. Avilés is a city in Asturias near the Atlantic Ocean, and the festival is held near its medieval center. I’m going to see so many friends there! And I’ll eat some fabada asturiana, a gastronomical treasure of the region.

Then, I’ll be in Madrid, where I’ll present the novel at Secret Kingdoms bookshop, probably on Friday or Saturday evening, July 26 or 27. I’ll get to see more friends!

I miss Spain so much.

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Venus flytrap pollinators: daredevils or traitors?

I wondered what kind of insect would visit a Venus flytrap flower, and surprise! Until just seven years ago, no one had tried to answer that question. Researchers were too distracted by the Venus flytrap’s carnivorous activities. The plants are native to the coastal bogs of North and South Carolina, and the question of their pollinators was finally investigated by an entomologist and her team from North Carolina State University, with results published in 2018.

They found out that pollinators and prey are different kinds of little creatures. Generally, flyers pollinate, and crawlers get eaten.

I bought a couple of Venus flytraps because their traps are depicted on the cover of my upcoming novel, Usurpation. They need plenty of sunshine, and I live in a high-rise building that’s effectively a vertical greenhouse, so they’ve been doing well. In fact, they’ve flowered, which led me to ask questions, and the internet led me down a fruitful rabbit hole.

I found “Venus Flytrap Rarely Traps Its Pollinators,” published in The American Naturalist: Vol. 191, No. 4. (Find a link to the PDF here.) Entomologist Elsa Youngsteadt and the university team trapped and examined “diverse arthropods” (insects and spiders) from flowers and traps. They discovered that the main pollinators were sweat bees, little bees native to the Americas with a metallic sheen who are also important pollinators of wild flowers and crops like fruits and sunflowers.

Other major Venus flytrap pollinators were longhorn beetles and checkered beetles. Like the bees, they could fly to the flowers.

The flytraps ate a wide variety of insects and bugs, mostly spiders, other kinds of beetles, and ants, especially fire ants. (Yay, team flytrap!)

The consumption of pollinators could be a “conflict of interest for the plant,” the report said, so how do the plants avoid this conflict? The researchers didn’t find a clear answer, but probably it’s because the flowers are on six-inch stems above the leaf traps, so flying insects have plenty of room to maneuver.

But should I have allowed my plants to flower? For any plant, flowers are expensive to produce, so some internet experts said I should have cut off the flower stems right away. Others said if my plants are growing well and I can give them good growing conditions, I don’t have to. Mine were already in bloom when I found that out, so I’m hoping tender loving care will make everything all right.

As for prey for my plants, because there are hardly ever insects in my apartment, I’ve been feeding them reconstituted freeze-dried bloodworms, bought in the fish food section of a pet store. Online experts agree they serve most carnivorous plants well. Mine seem happy, and I think their surprising flowers are pretty.

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I’ll be at C2E2

You can find me at three places at C2E2, the Chicago Comic and Entertainment Expo, this Friday, April 26, in the McCormick Place.

I’ll be on a panel: Artificial, Intelligent, and Fiction? from 2:45 to 3:45 p.m. in Room S402-B. The panel description: “You can’t turn around without being confronted with AI. From the obvious, like Chat GPT, to the less obvious, like intelligent agents that screen resumes of job applicants, AI is everywhere. This stellar group of writers discuss how the approach AI in the age of AI.” The other panelists are James Cox, J.S. Dewes, and John Jackson Miller, with moderator A.S. King.

After the panel, we’ll be signing books from 4:00 to 5:00 p.m. at Anderson’s Bookshop, Booth 163. You don’t need to have a book for us to sign to come and say hi! We’d all love to see you.

Earlier in the day, I’ll be volunteering at the Science Fiction Outreach Project, Booths 1033 and 1132. This is the free books people. Stop by the booth to choose from its selection of gently used and well-loved science fiction and fantasy books. We have books for all ages, and we’re happy to help you or your young book-lovers find their next great read. We’re also happy to tell you where you can find other science fiction and fantasy book nerds at conventions in Chicago and elsewhere. The booth will operate Friday, Saturday, and Sunday. Free books, no strings attached.

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If you can’t make it to C2E2, and you have questions or thoughts about how to approach AI in the age of AI, share them in the comments here at the blog. Or if you could give away books, what books would you hand to random passers-by?