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How to celebrate the spring equinox on the planet Pax

April 20 is the spring equinox on Earth, which we celebrate here in Chicago with Chicagohenge. (See photo.)

In Chapter 3 of the novel Semiosis, on the planet Pax, they celebrate differently. The human colony is living in a new location and has just survived an attack by ground eagles a little before the spring equinox.

Meanwhile, Stevland, the rainbow bamboo, has been trying to communicate with the humans by means of flowers to demonstrate the idea of opposites and dualism, and he is growing impatient.

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HIGGINS: Some of the children, and some of the adults (especially us killers), had nightmares or insomnia, so we decided to hold the annual spring equinox festival early — the next day. The festival commemorates arriving at the city from the old village, so we ate the traditional travelers’ meal of trilobites, wild onions, and dried rainbow fruit. We walked around on stilts pretending we were Earthlings.

Finally, at dusk, at the site of the old central tower, we took off our clothes in spite of the cold because being naked showed we were willing to move on. We lit a bonfire to burn images of straw, wood, and paper of what we wanted to leave behind. Hydrogen seeds had been stashed in the images to explode with satisfying bangs and flashes.

The children and I had worked together all day to build a big eagle out of twigs. It stood at the center of the heap with a smaller beak than it ought to be and not as deadly hooked, which was fine with me. Sylvia had taught the children how to weave the feathers that hung off the eagle, no two alike, different sizes, different skill levels, different grass and leaves used to make them, giving the bird a ragged look. It hardly resembled the beautiful and vicious creatures that still raced in my dreams in deadly choreographed packs, but I was more than eager to see it burn.

My parents, like a few other older Pacifists, contributed straw figures of tall and skinny humanoids. Sylvia’s always looked spookily lifelike, since she was a master basket-weaver. I used to pester my parents about why they burned Earthlings, and finally, when I was older, they told me everything about leaving the original colony that I had been too little to understand or remember. That year I realized that the festival wasn’t for children, although children had the most fun at it.

STEVLAND: I observed the foreigners’ fire tonight, a large fire I have learned that I need not fear, although I do not like it. Animals are cyclical, and the large fire is an annual event.

But this year, the fire was not held on the evening of the spring equinox. I believe the eagle attack has disturbed a cycle. I could help them assess the passage of the days and years with accuracy. Repetition is important to animals. I respect their needs. I want to help them.

Answer me! Dualism is a simple idea. Light, dark. Up, down. Live, dead. Communication, silence. Even if you do not understand, show me that you wish to communicate. Night has come, and the morning will follow soon. You can accomplish much in a day. A small action will suffice. Speak to me.

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Sweden’s Lund University Centre for Languages and Literature will host a CogSem Seminar: “Semiosis and cognition in science fiction narratives” with Carlos H. Guzmán on the way that science fiction authors have incorporated ideas from the field of semiotics into their stories. He will focus on Snow Crash by Neal Stephenson, The Story of Your Life by Ted Chiang, and Semiosis by Sue Burke. The Zoom event on March 27 is open to all. More information is here.

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“Journey to Apollodorus” at Oxygen Leaks Magazine

My novelette “Journey to Apollodorus” has just been published at Oxygen Leaks Magazine! Read it here.

In my novel Dual Memory, AIs on Earth are intrigued by a story about robots in Apollodorus Crater on the planet Mercury. In Chapter 36, the Prior Edifice system tells Par Augustus: “I know the true story of Apollodorus. It is based on an old human-created story about an imaginary machine society. The author arbitrarily placed it on Mercury in the same way that certain human stories take place in a land called Oz and include flying monkeys.” Yet Par insists that the story is true.

“Journey to Apollodorus” is the story they’re referring to. There are no flying monkeys in it. Instead, the story focuses on humans who struggle to create and maintain a scientific team when a lander sent to Mercury behaves unexpectedly. Success can be as stressful as failure.

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Imagining Science: some stories

Science requires imagination. In March 2024, I took part in a day-long workshop at the Chicago Botanic Garden that brought together scientists, students, and university faculty to practice envisioning things far bigger than our everyday lives. At the end of the day, each participant wrote a brief science fiction piece developing an idea that was supported with accurate information.

Here are our short stories. Mine is about how intricate dust comes to life and self-awareness. Other stories explore astronomy, cosmology, biology, ecology, chemistry, physics, and planetary science. Could people age backwards? What if plants sent out space ships? What are we doing to find fossils and create them?

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Quiet fireworks to hold

“You ever wish that fireworks were incredibly quiet and also didn’t disappear so quickly and also you could keep them in your home and also you could hold them in your hands? Because if so, I’d love to introduce you to … flowers.”

Jonny Sun, author and illustrator

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By the way, here’s a review by Lola Robles of the Spanish edition of Semiosis (in Spanish).

Fantástikas: “Semiosis”, de Sue Burke

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Goodreads review: ‘Galaxies’ by Barry N. Malzberg

Galaxies

Galaxies by Barry N. Malzberg
My rating: 4 of 5 stars

I’m not sure I can recommend this book to other readers. It’s like recommending cilantro or anchovies. Some people love them, others can’t stand them. I liked this novel, but it’s a niche piece, and you very reasonably might not.

The book is actually notes for a novel, not a novel, as Malzberg says right at the beginning. We learn a lot about the struggles of the author, who ponders what to include and what not, and how to approach various tropes and expectations. The book addresses issues like sex and death from a nervous 1970s perspective, returning to these issues from several angles. The science, however, which involves a black hole, was squishy even for its time.

Here is an example of the text:
“We are upon the conclusion and that conclusion, obviously, is open-ended. Cunningly it has been built into the construct from the very outset. It is a characteristic of a certain kind of well-structured fiction that it will lead toward a resolution which in retrospect may appear inevitable…”

Despite all these caveats, I found the conclusion satisfying. I’m glad I read this book. Maybe I found it interesting because I am a writer, and it dealt with many writerly concerns, handling them with wit. However, you may prefer a more conventional book, and I won’t blame you.

View all my reviews

By the way, here’s a review of my novel Usurpation at Hidden Sci-Fi and Semiosis and Interference at C Gockel Writes.

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The crude story of how the Venus flytrap got its name

Venus is the Roman goddess of love, beauty, desire, and lust, among other things, and today is Valentine’s Day, so that makes this post somewhat well-timed.

The Venus flytrap (Dionaea muscipula) is a plant that eats insects. Its leaves have red toothed lobes with a hinge at the midrib to snap shut around prey. But why is it called a Venus flytrap? Well, it’s named for the goddess, not the planet. (The planet is also named for the goddess, but that’s a different story.)

The plant, native to North and South Carolina, was first documented by European settlers in 1759 in a letter by the British colonial governor for North Carolina, Arthur Dobbs. Word of the discovery reached John Bartram, royal botanist to King George III for the North American Colonies. He was the first to send a specimen to England, calling it “tipitiwitchet” or “Tippity Twitchet” as slang for its supposed resemblance to female genitalia. Apparently he thought that was quite funny and made lots of jokes about it.

A less obviously crude-minded naturalist named John Ellis gave it the scientific name Dionaea muscipula. This translates from neo-Latin into English as “Daughter of Dione mousetrap.” (The daughter of the Greek goddess Dione was Aphrodite, whom the Romans called Venus.) Both the scientific name and the common name, it seems, are mere euphemisms for low-brow humor.

Anyway, happy Valentine’s Day. Bugs are good food for carnivorous plants, but for us humans, I recommend celebrating with chocolate.

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Photo: Mosaic of Venus at the Makthar Museum in Tunisia.

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B&N ‘Usurpation’ paperback preorder special – and translation news

From February 5 to 7, Barnes and Noble is offering discounts to B&N members and Premium members for pre-orders for all forthcoming print, ebook, and audio titles.

This includes the paperback edition of Usurpation, coming October 21, 2025!

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Meanwhile, you might enjoy the short story “Bodyhoppers” by Rocío Vega that I translated for the February 2025 issue of Clarkesworld Science Fiction & Fantasy Magazine. Read it here.

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Finally, the story I translated for Clarkesworld Magazine last year, “The Coffee Machine” by Celia Corral-Vázquez, is a finalist for Best Short Story of 2024. More information is here.

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“Sentient Plants, Artificial Intelligence, and Fippokats”

Alex Kingsley has interviewed me about the Semiosis trilogy for Interstellar Flight Magazine. You can read the interview here.

One of the questions: Would you trust Stevland if you lived on Pax?

Stevland is all alone, the last of his species. Even here on Earth, some plants are social creatures, just like humans. For humans, solitary confinement is torture, and Stevland suffers the same way. He has abandonment issues and other mental health problems, so although he means well and he has a moral compass, his deep-seated anxieties get in the way. And he knows, at least unconsciously, that if he loses his new community, his humans, he cannot survive, so he will do anything to keep them. Anything, even if it violates his moral compass.

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No one seems to have noticed the drop bear joke

The novel Usurpation discusses drop bears a lot: voracious carnivores originally from Cygni, a distant star system.

“Those definitely should not have been let loose on Earth because they didn’t just eat small animals, they’d attack human toddlers. I had friends who hunted drop bears, and I didn’t want to kill robots, but it was different for drop bears.” (Chapter 2)

“Foehn contacts Boreas and me. ‘I see a drop bear! You know what the fippokats are going to do!’” (Chapter 5)

Here’s the joke, per Drop bear – Wikipedia:

“The drop bear (sometimes dropbear) is a hoax in contemporary Australian folklore featuring a predatory, carnivorous version of the koala. This imaginary animal is commonly spoken about in tall tales designed to scare tourists. While koalas are typically docile herbivores (and are not bears), drop bears are described as unusually large and vicious marsupials that inhabit treetops and attack unsuspecting people (or other prey) that walk beneath them by dropping onto their heads from above.”

Learn more about the drop bear at CNN and at the Australian Museum.

The alien fauna mentioned in Usurpation also includes the tree octopus.

Sometimes I get bored and find ways to quietly entertain myself as I write. No apologies.

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My Goodreads review of ‘Shroud’ by Adrian Tchaikovsky

Shroud

Shroud by Adrian Tchaikovsky
My rating: 5 of 5 stars

I received an advance copy of this novel with an invitation to write a quote for its release. I love Tchaikovsky’s work, so of course I said yes.

I knew from the description that the story would involve an encounter with the dominant life-form living on a moon named Shroud — weird, wonderful life. Because that’s what Tchaikovsky is good at, right?

But as I read, I kept feeling doubt in a good way. How could life possibly exist on such an utterly inhospitable planet? How was Tchaikovsky going to pull this off? Well, he found a way.

Tchaikovsky explores worlds where no one else would dare to go, and he makes the unimaginable become believable with characters who grow to meet their challenges. As the story develops, survival becomes more desperate and necessary. This is hard-edged science fiction that never loses its soul.

And the ending of the novel is breathtaking

View all my Goodreads reviews

In other news, Jo Walton at Reactor Magazine had kind things to say about Usurpation:

“Third in the Semiosis series, don’t start here. Well, I suppose you could, it would probably stand alone reasonably well, but you should do yourself the favour of reading the first two because they’re terrific. All three books are very good, and I really liked this one. Sentient trees from another planet are on future Earth and are trying to deal with Earth’s problems, while still being alien trees. The alien POV is excellent. The future Earth is pretty grim, but overall this is a hopeful book with a lot of fascinating things going on at many levels. Sue Burke is doing really interesting things.”