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Leaves fall down

The time had come. Photo by Sue Burke

For some plants, the angle of the sun tells them what season it is. Others rely on the temperature. In any case, in autumn, deciduous trees drop their leaves to prepare for winter.

When the time comes, trees cut off the flow of nutrients to their leaves, which lose their chlorophyll, and beautiful underlying colors are revealed. (This season is typically called fall in the United States versus autumn in Britain for historical reasons.)

Years ago, I witnessed something that showed me the power of trees — not their strength but their autonomy.

The air could not have been more still that fall morning, yet a tree near my back door was losing its leaves. One by one, they fell of their own weight as the tree let go. Leaves dropped steadily and eerily through the becalmed air.

Usually we think the wind sweeps the autumn leaves from the trees, and it can provide an extra tug. But trees decide to shed their leaves at the moment they deem best. Though they seem almost inert — buffeted by wind, soaked by rain, baked by sunshine, and parched by drought — they control their fates as much as any of us. Humans, too, can be uprooted by disasters, attacked by illness, cut down by predators, and suffer wilting thirst. Being mobile does not make us less vulnerable or more willful.

So on that cool morning, I watched a tree prove that it commanded its own destiny. One by one, it clipped its bonds to its leaves, and they dropped off. The tree was taking action, and no one and nothing could stop it.

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“It had mean eyes!”

Some animals — in particular certain butterflies, moths, and caterpillars — have big fake eye spots. Their purpose is to scare off predators.

Do they work? I can speak from personal experience.

I was about four years old, playing in a neighbor’s yard, when a caterpillar fell out of a tree and onto my hand. It was green and terrifying. I shook it off my hand and ran home screaming.

My mother tried to assure me that it was just a little caterpillar and wouldn’t hurt me.

“But it had mean eyes!” I insisted.

I suffered no lasting psychic harm from the event and never developed a fear of bugs. I hope the caterpillar was okay, too. Objectively, though, it did have mean, scary eyes — and they worked.

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Blank paper

“A blank piece of paper is God’s way of telling us how hard it is to be God.” ― Sidney Sheldon

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Novel news!

Interference: The sequel to Semiosis is now available as a trade paperback, available through all major outlets and local bookstores. Links here. It’s still available as an audiobook, ebook, and hardcover.

Semiosis: The French translation is now available as an audiobook.

Immunity Index: My next novel will be released on May 4, 2021. You can learn more and pre-order it through links here.

Burning Fennel and Usurpation: I’ve just signed a contract with Tor for two more books. That’s the good news. However, the pandemic has affected publishing, including the ability to print books, so these won’t hit the bookstore shelves for a while — but they’re on their way.

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Is the poop plant real? Yes

Photo by Sue Burke

A “poop plant” is mentioned a couple of times in Semiosis:

The poop plant has proven possibilities for mischief. It looks like a pile of brown plump stems. –  Chapter 3.

The carved lid to a child’s chamber pot made me laugh out loud, but no one was in a mood to laugh, so no one looked pleased. “It’s the pattern,” I explained. It looked at first like the intricate pattern of lines on a Glassmaker tile mural. Subtle differences in the height of certain parts of the pattern revealed a small, low plant. “It’s a poop plant,” I said. – Chapter 5.

Where did the idea for the poop plant come from? From Earth. Specifically, the Euphorbia decaryi from Madagascar. The succulent grows there in dry forests and shrubland, and like many other native species, it’s endangered due to loss of habitat and collection. For some ambitious gardeners, it makes an interesting and rewarding houseplant.

I used to live in Milwaukee, Wisconsin, and I first encountered the plant at the Mitchell Park Conservatory, also known as The Domes for its three domed greenhouses. The Desert Dome has a special Madagascar collection, including many kinds of Euphorbia. One day, during a visit, I saw what looked like a big pile of dry, weathered turds on the ground. But no, it was the Euphorbia decaryi, with its lumpy grayish-brown stems bearing just a few leaves too tiny to notice. It didn’t look like something good to eat, which might serve as protection against predators.

The existence of a plant camouflaged as animal feces was a detail I knew I’d have to use in my writing – somehow. Eventually, I had the opportunity to have a little fun with it in Semiosis.

Our home planet, Earth, is an amazing place. It has poop plants.

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Review: “Recognize Fascism” an anthology edited by Crystal M. Huff

Recognize Fascism: A Science Fiction and Fantasy AnthologyRecognize Fascism: A Science Fiction and Fantasy Anthology by Crystal M. Huff
My rating: 5 of 5 stars

Full disclosure: I backed the Kickstarter campaign to fund this anthology. The book sounded exciting. It turned out to be excellent and, despite the grim-sounding subject matter, a pleasure to read.

Besides quality, what fuels this anthology is variety. The authors bring viewpoints from different countries and different kinds of narrators, including a turnip (really). While you might expect stories about fascism to be grim and angry, and some of them are, others are fun and funny, even absurdist. One is a romantic meet-cute. Another is brief and poetic. Some of the voices soar.

The kinds of fascism also vary, including a bullying schoolgirl, a shattered armistice in a war over magicians, a waitress whose job becomes increasingly oppressive, lovers separated by space and politics, a magical object carrying memories of slavery, and the arbitrary replacement of clocks.

How do you recognize fascism? You might have known it all along, or you might see the world unravel as your freedoms shrink. How can you fight fascism? You might use music, a network of allies, a pissed-off artificial intelligence, or a sudden glimpse of your own power. You might have choices.

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When Plants Kill (the article that gave birth to “Semiosis”)

This article appeared in the Spring 1997 issue of Terra Incognita magazine. It was inspired by my own houseplants, which had attacked each other in my living room. Plants cooperate, but they compete, too, viciously. Plants are active, not passive. As I researched the article, I realized that we live in the midst of a photosynthetic war. And I began to wonder: What if

***

Imagine alien beings totally dependent on light for nourishment. Could such beings live peaceably together? No. Sooner or later, they would compete mercilessly for light. They would kill for light — starving, maiming, poisoning, strangling, crushing, and burning any rival.

Here on Earth, we call these vicious beings “plants.”

In 1820, botanist and taxonomy pioneer Augustine Pyrame de Candolle said, “All plants of a given place are in a state of war with respect to each other.” If we humans moved slower, we’d notice the carnage in our ecosystem’s green kingdom — and we’d be in peril ourselves.

It’s a jungle out there, so let’s visit one. In a tropical rain forest, the darkness may surprise you, so let your eyes adjust a moment. Now look up. You can see a green ceiling, the forest canopy. That’s why it’s so dark. The leaves up there hog all the sunlight.

Look down. On the forest floor, you can see a few ferns, struggling saplings, gaunt seedlings, some moss, and a lot of roots. Nothing else.

Look around. The space between the floor and canopy is filled with sapling stalks, tree trunks covered by clambering vines, and 60‑foot-long roots lunging from the canopy so taut we can pluck them like guitar strings — in all, an impenetrable tangle between the floor and the canopy. But few leaves grow beneath the canopy. It’s too dark. Everything aims for the canopy to grab the sunlight.

Trees use brute force, investing in thick trunks to carry their branches upward. Saplings stand here and there in the jungle, but young trees flourish only after an old tree crashes down, ripping a hole in the ceiling. Light pours onto a waiting sapling that will rise like a titan.

Trees joust with each other. Softwood trees grow faster and outrace the hardwoods to reach the top first for their day in the sun. Hardwoods follow, slowly sawing their way up: hardwood branches, stirred by winds, grind against softwood branches and carve through, amputating softwood branches one by one.

On many trees you can see thick, woody vine-like stems, called lianas, climbing up the trunk. Climbing pays off, Charles Darwin said in 1893, because climbers can reach the sun “with wonderfully little expenditure of organized matter, in comparison with trees, which have to support a load of heavy branches with a massive trunk.” A climber three inches in diameter may have as many leaves as a tree with a trunk two feet across.

Lianas weigh down trees and spread their leaves over their hosts, stealing the light. Trees starve. Saplings snap under the sheer weight.

But trees fight back. They try to grow faster than lianas, or shed bark to make them fall, or grow large shady leaves to starve them, or sway in the wind to knock off their attackers.

Lianas and vines continue up, twining around stems, impaling trunks with thorns and hooks, pushing roots and twigs into cracks, even gluing roots onto smooth bark. If a liana falls, or when the poor tree finally dies and collapses, the liana just starts climbing again.

One huge vine with yard-wide leaves is an ordinary philodendron, like the one you might have in your living room, but mature. Even the baby in your own home could attack another plant — a would-be murderer might be perched on your bookcase. Watch out.

In the jungle, watch out for the rattan, a palm used in wicker furniture. It climbs, and to do that, it grows spines on long, whiplike extensions of its leaf stalks: claws to stab into anything that can offer support. The spines hang like in the jungle loose barbed wire and can slash through your skin. Roses have thorns to climb the same way.

Many climbers send out tendrils to grasp for handholds. Darwin wrote, “It has often been vaguely asserted that plants are distinguished from animals by not having the power of movement. It should rather be said that plants acquire and display this power only when it is of some advantage to them.”

A passionflower has its tendrils ready for action, poised, according to Darwin, “as a polypus places its tentacula.” Slowly across the days, the tendrils will revolve like the feeler of a monster, searching for a victim.

Touching something, in 30 seconds the tendril will start to coil around it. Within hours, the tentacle will firmly clutch its new brace in a life-or-death race to the forest top.

One member of the Pea family can grow a vine with a two-foot trunk. With tiny leaflets, it can drown an acre of the canopy — 64 unlucky trees.

In the jungle, on some trees, you can see roots thick as branches clamped all around a trunk. They come from another tree, a strangler fig, growing on its host tree from a crotch of a branch about halfway up. As a seed, the fig germinated there, getting its water from the rain an as it sent down its roots.

You can see the victim tree’s trunk bulging out between the roots of the strangler fig. The host is being strangled. Its trunk can’t grow wider and add a ring of new channels to carry water and nutrients to the leaves. It will eventually choke, die, and rot away, leaving the fig standing alone as a mature tree. The fig’s trunk will resemble a long, deadly cage.

Some plants employ an even more cunning scheme to live. They become parasites. Mistletoe sinks its roots into the living flesh of the tree to find water. As tropical mistletoe grows, it can drain its host dry.

Parasites can grow without bounds since they don’t have to work to support themselves. No surprise, then, that the Earth’s largest flower is the Rafflesia, a parasite of lianas in Southeast Asian jungles. Its brown and purple 3-foot flowers can weigh 15 pounds. They are called “stinking corpse lilies” for their stench, which attracts hundreds of flies to pollinate them. Let’s not look for one.

Outside the steamy jungle, it’s still a dog-eat-dog world in the plant kingdom.

Dodder, also called “devil’s sewing thread,” is an orange, creeping parasite of temperate zones. Within hours of germination, it reaches out with a tendril-like stem that circles until it touches a victim. Dodder attacks, wrapping around its host and sinking roots into its host’s stalk. Dodder forms dense mats of stems and flowers up to a mile long around its victim, sucking out every drop of sap.

Plants also poison each other. In 1832, de Candolle suspected plants release toxic materials into the soil to weaken the growth of competitors, but he couldn’t prove it. He was right.

Walnut trees leaves excrete a poison from their leaves that is washed by rainfall into the soil. Barley releases water-borne toxins to destroy weeds. The rubber-producing guayule of the American Southwest excretes toxic cinnamic acid from its roots. Cattails even poison their own young. Their seeds won’t germinate in water contaminated by cattail leaves.

Fire is the weapon of mass destruction in the vegetable kingdom. Some plants can survive fire more successfully than others, and they use that ability to their advantage.

Ponderosa pines in the western United States drop flammable dead needles. When lightning or humans spark a fire, it blazes through the dead needles, incinerating less fire-resistant species. Until human intervention, such fires were common, giving Western forests a different look in the past.

In the hills around Los Angeles, certain shrubs such as chamiso do the same by dropping oily leaves as tinder — and humans pay the price.

Plants will even sneak up on each other. Fields of British heath can be invaded by the roots of bracken ferns. The roots will send up leaves that shade and ultimately kill the heath.

Plants need light to live. They also need carbon dioxide, water, and certain minerals. Our atmosphere contains only about three-hundredths of a percent of carbon dioxide, which limits most plants. Given more CO2, plants will grow faster until they hit the next limit, which is usually light.

In perfect conditions, we could have a photosynthetic riot.

So watch where your shadow falls. You could annoy a heartless killer whose long, green tentacles would wrap themselves around your body. Slowly, unceasingly, those tentacles would tighten with unexpected strength until you slump dead to the floor.

Your potted philodendron might want you out of the way. Beware.

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Celebrate International Translation Day, September 30

The feast day of St. Jerome, a famous ancient translator, is September 30, so today is celebrated as International Translation Day.

FIT, the Fédération Internationale des Traducteurs/International Federation of Translators, has created this poster and explanation to celebrate this year’s theme: Finding the words for a world in crisis.

FIT explains: “Our profession has been pivoting rapidly to keep up with changing realities and expectations, and the importance of our work to ensuring clear information reaches everyone and overcoming language barriers — both global and local — has been highlighted in unprecedented ways this year.”

Here are two more ways that you can celebrate translation, especially science fiction in translation:

FutureconSF, an online international science fiction convention with the slogan “The future happens everywhere,” was held September 17 to 20. Sixteen panels explored topics as varied as “Future Science Fiction in Translation: A Hidden Treasure to Innovate the Genre,” “Future East Asia: Techno-Traditions in Japan and Korea,” and “Anthropocene and Capitalocene: Threats and Hopes to the Future of Mankind.”

The sessions were recorded and are available on YouTube.

A new bilingual speculative fiction magazine is coming to the internet. Constelación will publish stories in both Spanish and English with four issues each year. Writers can submit their stories in science fiction, fantasy, and horror in either language. Fifty percent of the stories in every issue will be from authors from the Caribbean, Latin America, and their diaspora.

I hope to do some of the translation. A Kickstarter campaign will launch tomorrow, October 1. Submissions will be open from October 15 to November 1, 2020, for the first issue with the theme: The Bonds That Unite Us / Los lazos que nos unen.

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Maps for Chapters 1 and 2 of “Semiosis”

I appreciate maps. When I was a newspaper editor, my coworkers called my office the “war room” because the walls were covered with maps.

Since the setting is important to the novel Semiosis, I made maps for Chapters 1 and 2 to help me write consistently. If a character in a specific location heads left/north, they should wind up in the same place every time.

Generally, when you write a short story, you might be able to hold the whole idea in your head at once, but novels are too big. Notes, charts, pictures, outlines, and other kinds of memory aids can be a big help not just for consistency but for the writing itself. Although some authors like to write “by the seat of their pants” and see what happens, that approach can take much longer than writing with a plan.

The Chapter 1 map shows the village and its fields.

The Chapter 2 map shows the bigger picture, including the route to Rainbow City. These maps were originally made on graph paper, although the grids did not come through in the scans of the maps to show the scale.

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My next novel: “Immunity Index”

Here’s the cover art for my next novel, Immunity Index. Notice that the skyline is Milwaukee.

The book will be released on May 4, 2021, and may it be a better year for us all.

I began writing this long before Covid-19 appeared, and as I finished it early this year, I became deeply troubled — then I realized why. This novel tells the story of a better coronavirus epidemic than the one we have. I am heartbroken by our real-life loss and suffering. The challenge to our perseverance and compassion will last for months and years.

More information and preorder links for the novel are here: https://us.macmillan.com/books/9781250317872

The official synopsis somehow fails to mention the woolly mammoth, but he’s in there and he’s loveable:

Sue Burke, author of Semiosis and Interference, gives readers a new near-future, hard sf novel. Immunity Index blends Orphan Black with Contagion in a terrifying outbreak scenario.

In a US facing growing food shortages, stark inequality, and a growing fascist government, three perfectly normal young women are about to find out that they share a great deal in common.

Their creator, the gifted geneticist Peng, made them that way — before such things were outlawed.

Rumors of a virus make their way through an unprotected population on the verge of rebellion, only to have it turn deadly.

As the women fight to stay alive and help, Peng races to find a cure — and the coverup behind the virus.