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“Semiosis” is on the Arthur C. Clarke Award shortlist!

 

Semiosis UK edition
The cover of the British edition. Cover design by Claire Ward. The tentacles are of a sundew, a carnivorous Earth plant that would find you much too big to be prey but otherwise delicious.

I am thrilled to announce that Semiosis is shortlisted for the Arthur C. Clarke Award. The shortlist was announced today, and the full list is:

Semiosis by Sue Burke (HarperVoyager)
Revenant Gun by Yoon Ha Lee (Solaris)
Frankenstein in Baghdad by Ahmed Saadawi (Oneworld)
The Electric State by Simon Stålenhag (Simon and Schuster)
Rosewater by Tade Thompson (Orbit)
The Loosening Skin by Aliya Whiteley (Unsung Stories)

These are splendid books, and I am lucky and honored to be among them.

The award describes itself as “the UK’s premier prize for science fiction literature.” The winner will be announced on July 17 in London and receives an engraved bookend and a cash prize.

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Houseplants have simple emotions

You are a houseplant

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The Nerd Cantina interview

The Nerd CantinaA host of The Nerd Cantina podcast interviewed me at the Chicago Comic and Entertainment Expo last month, and you can hear it in this week’s show, Episode 5.

Steve and Ken also discuss recent Game of Thrones episodes (beware: spoilers), The Boys trailer, End Game anticipation, and gaming news, and they interview the creators of Beaker Creatures.

My interview starts at about 51 minutes.

The Nerd Cantina book reviewer Megan McCarthy-Biank weighs in on my book: “Sci-Fi fans will enjoy what Sue Burke does with the genre and will have fun picturing the colorful and complicated world that she paints for us.”

It was a fun interview with insightful questions, and I’m glad Megan enjoyed my book.

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John Muir ecstatically describes spring in the mountains

PenalaraPark
Peñalara National Park, Spain. Photo by Sue Burke.

“How deep our sleep last night in the mountain’s heart, beneath the trees and stars, hushed by solemn-sounding waterfalls and many soothing voices in sweet accord whispering peace!

“And our first pure mountain day, warm, calm, cloudless — how immeasurable it seems, how serenely wild! I can scarcely remember its beginning. Along the river, over the hills, in the ground, in the sky, spring work is going on with joyful enthusiasm, new life, new beauty, unfolding, unrolling in glorious exuberant extravagance — new birds in their nests, new winged creatures in the air, and new leaves, new flowers, spreading, shining, rejoicing everywhere.”

John Muir (1838-1914) is often called the “Father of the National Parks.” In 1890, due in large part to his efforts, an act of the US Congress created Yosemite National Park. Muir was also personally involved in the creation of Sequoia, Mount Rainier, Petrified Forest, and Grand Canyon national parks. The idea of national parks eventually spread worldwide.

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Two short stories set on Pax

In addition to the novel Semiosis and the upcoming sequel Interference, two short stories explore life on Pax.

“Cinderella Faraway” is set between chapters 1 and 2. Nicoletta and the other children wonder if their new life is really better than it would have been on Earth. Warning: this story is grim.

“Spiders” is set between chapters 3 and 4. Roland’s father takes him for a walk in the forest while he’s a young boy. This story, which features a lot of fun worldbuilding, was previously published in Asimov’s magazine and the anthology Year’s Best SF 14.

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Very deep thoughts about “Semiosis”

spectology1400The members of Spectology: The Science Fiction Book Club Podcast may have thought harder about my book than I did. In the episode Semiosis post-read w/ Nate Spence: Budding Utopia or Mutualist Dystopia? they spend two hours and nine minutes discussing that question.

Here’s their description of the episode: “Matt, Nate, & Adrian have a long, rollicking conversation about Semiosis, by Sue Burke. We all really loved the book, but also have a lot of criticism of it, and we get really in-depth on what it all means to us.”

Some of their criticisms I agree with — the book isn’t perfect, and there were problems I knew about that I couldn’t figure out how to solve. Some of their thoughts were about aspects I hadn’t been aware of — sometimes this happens with a critique, because other people can see things that the author overlooked. They also get some points exactly right, such as the long-term arc of the Constitution.

What is your favorite chapter? Is there too much violence? Is the book optimistic? Is Stevland a superhero? They have different opinions and carefully explore the reasons for their disagreements. If you don’t have your own book club to discuss the book, you can listen to these club members share their deepest and best thoughts.

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Now available in Japan!

Semiosis Japanese edition_SmallSemiosis has been published in Japan by Hayakawa Publishing, Inc., translated by Maasa Mizukoshi.

I just got my author copies and gave one to a friend who speaks Japanese. I’m told my name has been transliterated to “Suu Baaku.”

It’s a delight to see my words in another language and at the same time it’s strange to be unable to understand them in the least.

Japanese text Small

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Writers Aloud: I’ll be reading on Sunday

PropTheatreI’ll be reading “Who Won the Battle of Arsia Mons” as part of the Writers Aloud series at Prop Theater on Sunday, April 7. The event, from 3 to 5 p.m., will also feature Johanna Drew reading “Ask Me for My Photo (my life in online dating).”

Free and open to the public, with refreshments, at 3502 N. Elston Ave.

If you can’t come, you can read my story at Clarkesworld. It’s about battle between robots on Mars!

— Sue Burke

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A first look at “Interference”

InterferenceCover_SmallHere’s the cover for Interference, the sequel to Semiosis.

The Verge interviewed me about the book:

“In Interference, Burke picks up the story a century after the end of Semiosis as a new expedition from Earth arrives on the planet, which threatens to upset the balance between Stevland, the Glassmakers, and humanity. The novel is out on October 22nd, and The Verge spoke with Burke about the novel, colonization, and why you should be nice to your house plants….”

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Book club study guide

Book Club

Here are some book club discussion questions for Semiosis, specifically the study guide for the Apocalypse Book Club, which has graciously allowed me to share it.

This club, in Oregon, attacks books with extreme ambition. Its meetings feature not just discussion, but costumes, arts and crafts, and meals based on the book its members have read. For Semiosis, they planted lucky bamboo and painted the pots in rainbow colors. Some members wore beads and painted their faces. Finally, they feasted on fruit, salads, and roast poultry — with wine, although we know Stevland disapproves of alcohol.

Their questions:

• Discuss the significance of the colonists referring to themselves as Pacifists. Their goal when they set out was to blend seamlessly into their new environment, but the events of the novel include decidedly non-peaceful elements. Is there a more fitting name that the people of Pax should or could have utilized?

• The use of certain accessories or styles are worn by the Pacifists to show membership to a certain generation. Do we have anything like that to define the generations currently?

• Discuss sex and sexuality. What does it mean to be a woman on Pax? A man? A child? What kind of isms were present in the new world and why?

• The book spanned a significant amount of time and introduced us to many characters. Did you feel drawn to a particular one? Why or why not?

• Discuss the overall writing style. What worked and what didn’t? Was there an intentional message in the structuring of the book?

• The Glassmakers became a shadow of their former selves. Was this a believable evolution? Do you agree with how the Pacifists interacted with the Glassmakers, both in times of peace and of confrontation?

• How did the lack of a long-standing human culture on Pax affect the individual’s sense of identity and in what ways, negatively and/or positively? Can any parallels be drawn to American culture and how we identify with our past?

Additional questions I suggested:

• How do attitudes change over the generations to the meaning of the colony, of work, and of their own community? The generations contrast especially strongly in Chapter 2, but throughout the book each generation has its own way of understanding what it means to be human and how problems should be approached and solved.

• Except for thinking (and scheming), everything that plants do in the book are things they can do here on Earth. Acacia trees keep their servant animals, ants, dependent on them in a way that even Stevland might consider excessive. Many plants use false scents to attract pollinators. Plants communicate with each other and sometimes help each other. What can that mean for our relationship to plants here on Earth? What if Stevland could grow among us?