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Pumpkin: fun facts

Pumpkin pie, some assembly required. This pumpkin came from Waupun, Wisconsin, which explains its classic appearance.

Pumpkins are squashes, but are squashes pumpkins? Some are. Regarding your holiday pumpkin pie, if the pumpkin comes from a can, it’s at least 95% certain that it is from the Dickinson pumpkin, which is more or less a butternut squash. But as Libby’s Pumpkin insists, the Dickinson is really a pumpkin—and that’s true. Botanically speaking, “pumpkin” is a squishy squashy category.

Anyway, I can attest that a good butternut squash/Dickinson pumpkin is a little more flavorful than the classic pie pumpkin, so don’t feel cheated. And both of those taste better than the variety of pumpkin we carve for Halloween. A jack-o-lantern makes a great addition to the compost heap, not the dinner table.

One more fun fact: Almost all pumpkins for canned pie filling are grown in and around the village of Morton, Illinois, near Peoria. So when you eat your pumpkin pie, think about the Land of Lincoln. In these fraught political times, what can we learn from Honest Abe?

Happy Thanksgiving.

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ECO24: The Year’s Best Speculative Ecofiction

Anthologies tend to make less money than novels, yet they keep appearing. And I keep reading them. An anthology offers the chance to read a carefully curated selection, and I love short stories as an art form.

Apex Book Company asked me if I’d like to read an advanced copy of ECO24, The Year’s Best Speculative Ecofiction, and offer a blurb if I liked it.

I liked it a lot. Like every good anthology, the stories offer a range of approaches, including literary science fiction, magical realism, and dark fantasy. Some are set in the present, such as the war in Ukraine, others in the future, and they feature settings around our planet and beyond. Some are grim, many hopeful.

My favorite is “The Plasticity of Being” by Renan Bernardo, which illustrates the paradoxes of offering help to poor people. I also especially enjoyed “Bodies” by Cat McMahon about the dangers of being a clone, and “Thirteen Ways of Looking at a Blackened Husk of a Planet” by Adeline Wong about the emotional weight of being a student, with hints of poetry. But I could go on. There’s the quiet wisdom of “Batter and Pearl” by Steph Kwiatkowski, and the aspiration of “Father Time Dares You to Dream” by Trae Hawkins — and both stories take place near me.

My blurb:

Each author offers us a unique ecological niche to reveal what our present and future could be, ranging from wrenching disasters to elating possibilities of recovery. These stories are personal and lyrical, and the breadth of imagination and styles make this anthology dazzling. Every story is a gem.

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‘Trees at Night’ at Clarkesworld

You can read or listen to a story I translated from Spanish into English by Ramiro Sanchiz, “Trees at Night” (Árboles en la noche) at the November 2025 issue of Clarkesworld Science Fiction and Fantasy Magazine. The podcast of the story is read by Kate Baker.

Sanchiz is a Uruguayan writer whose work has been described as “new weird.” “Arboles en la noche” is available in the original Spanish at the magazine Contaminación futura 8.

In the story, a librarian at a hospital-like sanatorium befriends a young patient for reasons that eventually become clear. It offers a distant echo of the novel Roadside Picnic by Arkady and Boris Strugatsky (which I recommend): aliens come to Earth, and what they leave behind is incomprehensible to humans.

Rather than the self-destruction in the Strugatsky novel, in “Trees at Night” the response is estrangement. I don’t know how to summarize the story without spoilers. This sentence, taken from close to the end, might say enough:

“The Sanatorium rose far away, its sight mostly blocked by trees; the sun had already set, and a globular cluster of stars sparkled in the sky to remind all us humans that we were not on Earth and, in fact, we did not know where we were.”

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A true ghost story

Since it’s Halloween, let me tell you a true story about a ghost. I don’t believe in ghosts, but I want to believe in this one. It happened quite a few years back when I was living in Milwaukee and I went to visit a friend’s house in the Bay View neighborhood.

I didn’t know the house was haunted. I simply said the big, colorful framed poster hanging at the top of the stairs looked lovely, especially in that spot.

“Do you want to know why it’s there?” My friend was eager to tell me. She and her family had moved into the house not long ago, and they had decided that the space at the top of the stairs seemed like a natural place for art, which it was.

So they hung up a picture. It fell down. They put it up again. It fell down the stairs and broke. They tried another picture, carefully securing it to the wall, and it, too, fell down the stairs and broke. They couldn’t figure out what the problem was.

Then one day they were talking with the elderly neighbor who had lived next door all his life. He listened to their story and sighed sadly. Decades earlier, the family in that house had a teenage son who was gay, which in those days was a terrible taboo, so he had committed suicide by throwing himself down the stairs. Ever since then, things fell down the stairs for no reason — or perhaps because the boy was still there in spirit.

My friend and her family decided to try an experiment. They bought the most beautiful gay rights poster they could find, put it in a nice frame, and hung it at the top of the stairs, hoping the boy might understand that things had changed.

“And it’s still there!” she said. “I’m not sure I believe in ghosts, but maybe we helped his spirit rest in peace.”

Now, I knew the neighborhood. The street in front of that house was built over an underground stream, Deer Creek. Maybe, when heavy trucks went past, they made the ground shake and the movement somehow focused on that stairway.

Or maybe there was a troubled spirit in that house, a forlorn teenage boy who had lived there many years ago. And possibly, if he had been born decades later, he could have lived at peace with himself and still be alive.

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I’ll be at Deep Dish on Thursday

Come to the Deep Dish Reading at 6 p.m. Thursday, Oct. 23, at After-Words Bookstore, 23 E. Illinois St., Chicago, organized by the Speculative Literature Foundation. Featuring Devi Bhaduri, Tina Jens, Philip Janowski, Brendan Detzner, Harold Holt, Katherine Ervin, Winifred Burton, and Sue Burke.

I’ll be reading this short piece called “Intricate Stardust.”

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Trade paperback of ‘Usurpation’ now available

If you haven’t yet read Usurpation, here’s your chance to buy it at a more economical price. The trade paperback will be released on Tuesday, October 21, available from any bookseller.

This is the third book in the Semiosis trilogy. As you may recall, Stevland, an aggressive, intelligent plant on a distant planet, longs to send his seeds to Earth. In the second book of the trilogy, Interference, he finds a way.

Now Stevland’s descendants grow everywhere, but no one on Earth knows they are intelligent, and humans have fallen into a violent crisis. They need help. But how? Stevland sends advice: “Compassion will give you courage. Love will be ferocious.”

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Apple season!

Apples are my favorite fruit — but is it the forbidden fruit? Probably not. The idea seems to have come from a mistranslation or artistic liberty rather than the gospel truth.

The Bible’s Book of Genesis tells the story of the serpent who talks to Eve about a particular fruit that, if she ate it, would cause her to “be as gods, knowing good and evil.” (Gen. 3:4, St. James Version). It doesn’t say which fruit, and many different fruits have been proposed. The idea that it’s an apple could come from a confusion between the Latin word “malus” for evil and “malum” for apple. Or the Latin word “pomum” for fruit; in French, it became “pomme” and eventually meant apple. Or the Biblical story became mixed with Greek legends about apples.

In any case, apple trees are a good example of how plants manipulate us. Apple trees grow tasty fruit so that we pick it, eat it, and spread the seeds when we toss away the core. Like many kinds of fruit, some varieties of apples even change color as they ripen to encourage us to eat them. Apple trees now grow all over the planet and enjoy tender loving care. Like every plant, apples want to take over the Earth — or at least conquer every niche they can fit into. Apples have used us humans to achieve world domination.

It’s apple season. Enjoy! And consider the mutualism that brings you this sweet treat. Just because you eat something, you might not be the apex predator. You might be cheap labor.

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International Translation Day: some of my translations

September 30 is International Translation Day, a celebration recognized by the United Nations, which is particularly fond of translators. It’s the feast day of St. Jerome, the patron saint of translators, known for his translation of the Bible into Latin from Greek.

Here’s a list of my translations for the past ten years, mostly science fiction and fantasy along with a few other interesting works.

Online: read for free

“Proxima One” by Caryanna Reuven — Short story. A machine intelligence called Proxima One sends probes into the galaxy on long journeys filled with waiting and yearning as they search for intelligent life. Clarkesworld Magazine, May 2025

“Bodyhoppers” by Rocío Vega — Short story. Minds can hop from body to body, but there’s always a problem because the system is designed to create them. Now you have no home, and you’re still madly in love. Clarkesworld Magazine, February 2025

“The Coffee Machine” by Celia Corral-Vázquez — Short story. A coffee vending machine acquires consciousness, then things go ridiculously wrong. I giggled as I translated it. It was a finalist for Clarkesworld’s 2024 Best Short Story. Clarkesworld Magazine, December 2024

“Francine (draft for the September lecture),” by Maria Antónia Marti Escayol — Short story. Renée Descartes’s daughter dies, and he and his fellow scientists try to bring her back to life using 17th-century science. Apex Magazine, December 28, 2021

“Embracing the Movement” by Cristina Jurado — Short story. A wandering hive of spacefaring beings encounters a lone traveler, and its members reach out to share their struggle for survival. Clarkesworld Magazine, June 2021

Decree by King Ferdinand and Queen Isabel — Translation of a document signed by the King and Queen of Spain in 1491. I made the translation for an auction house, and I also provided the historical context for the decree, which granted land to an impoverished soldier during a time crucial to Spanish history.

Amadis of Gaul — My serialized translation of the medieval novel of chivalry that inspired Don Quixote by Miguel de Cervantes. When the printing press was invented, the novel became a best-seller.

Available for purchase

ChloroPhilia by Cristina Jurado — Novella. Would you sacrifice your humanity to save the world? The story was nominated for Spain’s Ignotus Award. Apex Books, January 2025

Canyonlands: A Quarantine Ballad by JB Rodríguez Aguilar — Literary novella. A photojournalist on his way home in March 2020 finds himself quarantined due to the covid pandemic in a hotel room in Madrid, Spain, and he retreats to memories of a trip to Canyonlands National Park in Utah. Olympia Publishers, November 2023

“Embracing the Movement” by Cristina Jurado — Short story in a collection of stories, Alphaland and Other Tales. Spacefaring beings encounter a lone traveler, and the beautiful imagery hides horrors. Alphaland won the Fantasy Hive 2023 Year-End Award for Best in Translation. Calque Press, September 2023

“Team Memory” by Carme Torras — Short story in an anthology. A basketball teammate winds up on death row, but should he be there? European Science Fiction #1: Knowing the Neighbours, June 2021

“Francine (draft for the September lecture)” by Maria Antónia Marti Escayol — Short story in an anthology. Renée Descartes’s daughter dies, and he and his fellow scientists try to bring her back to life. World Science Fiction #1: Visions to Preserve the Biodiversity of the Future, August 2019

“Techt” by Sofia Rhei — Short story in a collection. An old man living in poverty in a hostile future strives to maintain what literature and “long” language can offer humanity. Everything Is Made Out of Letters, March 2019

Three short story translations: “Francine (draft for the September lecture),” by Maria Antónia Marti Escayol — Descartes’s daughter dies, and he and his fellow scientists try to bring her back to life. “Wake Up and Dream, by Josué Ramos — An old man, revived from cryosleep, tries to grow accustomed to a now-distopic Madrid, although something has gone strangely wrong. “Tis a Pity She Was a Whore,” by Juan Manuel Santiago — The music of David Bowie during cancer chemotherapy results in a divergent reality. Supersonic magazine, #9, December 2017

“The Story of Your Heart,” by Josué Ramos — Short story. People can get transplants to fix or improve themselves, or they can become donors by choice or force. Nominated for a 2017 British Science Fiction Award. Steampunk Writers Around the World, Volume I, Luna Press Publishing, August 2017

The Twilight of the Normidons, by Sergio Llanes — Novel set in an alternate Europe. A Rome-like empire teeters after three thousand years of domination by the Sforza dynasty as rebellions threaten its borders and treason weakens it from within. Dokusou Ediciones, August 2016

“The Dragoon of the Order of Montesa, or the Proper Assessment of History” by Nilo María Fabra — Short story in an anthology. The remains of a soldier who had been guarding Madrid’s Royal Palace are discovered far in the future. Triangulation: Lost Voices anthology, July, 2015

Unavailable or out of print

Canción Antigua – An Old Song: Anthology of Poems by Vicente Núñez — Translation with Christian Law. Vicente Núñez (1926-2002) was one of the most daring and important poets of Andalusia, Spain, in the second half of the 20th century. Fundación Vicente Núñez, April 2018

Confusion of Confusions by Joseph de la Vega — Non-fiction. Originally published in 1688 in Amsterdam, this Baroque-era book was the first to examine the wiles of a stock market, “where a man spends his life battling misfortunes and wrestling the fates.” Published by the Comisión Nacional del Mercado de Valores (Spanish Stock Exchange Commission) for use as an institutional gift, December 2016

Prodigies, by Angélica Gorodischer — An enchanting novel about the lives that pass through an elegant nineteenth century boarding house. Considered Gorodischer’s best novel. Small Beer Press, August, 2015

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A volcano on Mars, the setting for story about robots

I’m sharing this photo because I wrote a story set in that volcano, “Who Won the Battle of Arsia Mons,” which you can read at Clarkesworld Science Fiction and Fantasy Magazine. I wrote the story because a meme informed me that Mars is the only known planet inhabited solely by robots. Then I thought, what is the stupidest thing robots could do on Mars?

NASA’s caption for their photo:

“Arsia Mons, one of the Red Planet’s largest volcanoes, peeks through a blanket of water ice clouds in this image captured by NASA’s 2001 Mars Odyssey orbiter on May 2, 2025. Odyssey used a camera called the Thermal Emission Imaging System (THEMIS) to capture this view while studying the Martian atmosphere, which appears here as a greenish haze above the scene. A large crater known as a caldera, produced by massive volcanic explosions and collapse, is located at the summit. At 72 miles (120 kilometers) wide, the Arsia Mons summit caldera is larger than many volcanoes on Earth.”

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The Perfect Tragedy

Bust of Aristotle. Marble, Roman copy after a Greek bronze original by Lysippos from 330 BC; the alabaster mantle is a modern addition.

“Here is Oedipus, here is the reason why I will call no mortal creature happy.” — from Oedipus Rex, a play written by Sophocles in about 430 B.C.

Oedipus believes he is an orphan. He unknowingly kills his father and marries his mother, a queen. They live happily ever after and raise a fine family, until one day a messenger arrives…

Ancient Greeks invented dramatic tragedy in about 600 B.C. and spent several centuries refining it. Despite the limited theatrical techniques of the time, the emotions portrayed were at once subtle and intense: honor, ethics, self-knowledge, conscience, pride, insolence, responsibility, and courage.

But how do you tell a story? In about 320 B.C., Aristotle examined what makes a good tragedy, and his lecture has survived as the book Poetics— which Shakespeare studied and put to good use. Here are Aristotle’s rules:

1. Show don’t tell.

2. Try to keep the time frame short, perhaps “a single circuit of the sun” for a stage play or short story. Otherwise, you might have an epic, which has its own rules.

3. Be serious. This isn’t a satire. Try to express yourself well, with lively language full of images.

4. Make characters lifelike, and make them do things, not ponder things. “All human happiness or misery takes the form of action,” Aristotle writes. “Character gives us qualities, but it is in our actions, in what we do, that we are happy or the reverse.”

5. Plot is paramount. Try to make the plot powerful. It should have a beginning, middle, and end. It should be long enough to allow for a sequence of necessary or probable events that will bring about a change from good fortune to calamity, but not so long that we can’t remember it all easily.

6. Unity of plot means you leave out as much as you can, “for a thing whose presence or absence makes no visible difference is not an organic part of the whole.”

7. Tragedy inspires fear or pity. The events should surprise us, but they must follow cause and effect, because logic is more amazing than convenient coincidences.

8. The best plots are complex. A complex plot has either a reversal of the situation, or a recognition, or both. These reversals or recognitions should be a necessary or probable result of what went before.

Reversal is a change of a situation into its opposite. For example, in Oedipus Rex, a messenger brings good news to Oedipus: the mystery of his parentage has been solved … and it turns out to be disastrous news.

Recognition is a change from ignorance to knowledge, and makes people change their feelings about each other. “The best form of recognition is coincident with a reversal of the situation, as in Oedipus,” says Aristotle. But it can also come from something like a trivial object that provides crucial information that results in knowledge, particularly knowledge about other people that provokes fear or pity in the audience.

9. The end result is suffering, “such as a death on the stage, bodily agony, wounds, and the like,” Aristotle says. If you like gore, you’ll like Oedipus Rex and other ancient Greek plays. Modern horror is often like classic tragedy; modern readers outside of the horror genre tend to prefer emotional pain to of buckets of blood, although there’s nothing quite as fearsome as ripping your own eyeballs to ribbons the way Oedipus does to show his shame, is there?

10. A perfect tragedy does not involve a virtuous person brought to ruin, for this moves neither pity or fear; it merely shocks us. Nor a bad man passing from adversity to prosperity, obviously; nor a villain brought to ruin. You want a good and just protagonist whose purposes are noble but who brings misfortune on himself not by vice or depravity, but by an error or frailty, usually some sort of immoderation — an excess of justice, truth, vengeance, self-sacrifice, love, pride, egotism, constancy, stubbornness, or anger. An unhappy ending is the right ending.

Louis Bouwmeester as Oedipus in a Dutch production of Oedipus Rex, c. 1896.